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by Lydia Roberts
by Lydia Roberts
It is aimed at aspiring young creatives, such as Sharnee, who want to write, illustrate, or edit children’s books and is filled with tips, advice and anecdotes from professionals such as Sophie Masson, Kathy Creamer, Beatty Alvarez and Peter Creamer.
“I had always been eager for involvement in [NEWC], so I was ecstatic when I was hired as an editor for Inside Story,” Sharnee says. By Lydia Roberts SUCCESSFUL SEGUE: Editor Anna Thomson is also a published writer.
by Lydia Roberts Yumna Kassab's words of encouragement to budding authors  Yumna Kassab is a past-winner of the Thunderbolt Prize for Crime Writing (Poetry) IT COULD take just 15 minutes a day to turn your dreams into tomorrow's bestseller.
That's the advice from writer Yumna Kassab, a past-winner of the Thunderbolt Prize for Crime Writing (Poetry). Kassab, from Western Sydney, wrote her Australiana stories while living and working in Tamworth. Her first book of short stories, The House of Youssef, was listed for prizes including the NSW Premier's Literary Award and The Stella Prize, so Kassab understands the process behind writing. "Write for 15 minutes a day," she says. "Don’t throw the writing out. Don’t tear it up. The writing will add up and when you come back to it later, even if it seems average, you’ll start to notice a progression. by Becky Holland  Fiona left school in year 11 and did a variety of jobs. In 1985 to 1990 she attended the Julian Ashton Art School in Sydney. Founded in 1890, it is the oldest continuous fine art school in Australia and is still operating today in assisting artists achieve their dreams. Over the years, Fiona has thought of herself mostly as a visual artist doing black and white pen drawings, but also gouache colour pictures.
Most recently, Fiona took an opportunity to be part of Stuff of Tales. Each writer or artist is paired up with a museum in the New England area and conducts workshops. Fiona had the chance to explore Saumarez Homestead with the view to select an item from the collection to become the basis of a story. By Becky Holland  How do you begin a poem?
For me, a poem begins with an inspired, though fleeting, thought or impression that I realize I must write down promptly, or risk losing. I tend to begin poems outside, in contact with the earth—with a notebook, leaning against a tree or smelling a plant—but I usually finish poems indoors, in insulated comfort, and occasionally a long while after I initiated them. I’m fascinated by language, and particularly by archaic and scientific terminology, so poems can be prompted by odd words. On a much different note, a poem sometimes begins with a broiling sense of indignation that I feel I should set free. By Becky Holland  Trish Donald is a previous board member of the New England Writers’ Centre. Her artwork regularly makes an appearance in the newsletter.
In 2018 Trish launched her first book with Little Pink Dog Books who were looking for emerging authors and illustrators. Little Pink Dog Books liked some of her monster drawings and asked if she would write and illustrate a book where those monsters were Worry Monsters - manifestations of a child's anxiety. They asked if the child could overcome her Worry Monsters by using mindful breathing, that would help young children cope with their anxiety. It aligned with Trish’s desire to help parents and children connect through books, and so began "Tissy Woo and the Worry Monsters". |
We gratefully acknowledge the support of Create NSW and our other generous sponsors
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We acknowledge the Traditional Custodians of the lands on which the New England Writers' Centre is situated and pay our respects to Aboriginal Elders past, present and emerging.